Smooth Jazz Therapy

Randy Scott - Elevation

Already fan-fared by the hot radio single ‘Joy Ride’, ‘Elevation’ is the latest project from Detroit based sax-man Randy Scott who burst into the scene in 2015 with the album ‘Serenity’

Perhaps ‘Elevation’ is best summed up by the feisty title cut that demonstrates to perfection the penchant Scott has for big, ballsy sax driven smooth jazz.  Equally fulsome is ‘Sanctity’ that has the sort of hook that could well become infectious yet when Scott turns down the tempo the result is just as good.

This is particularly so with the decidedly moody ‘Day Dreams’ that includes a featured performance from trumpeter Cindy Bradley and again with ‘Intimacy’ which proves to be a sumptuous slice of instrumental quiet storm.

Scott keeps it mellow for ‘Tempo’ that is anchored by vocals from Anesha Birchett and he closes out ‘Elevation’ with the interesting named ‘Untitled (How Does It Feel)’ that uses Hammond B3 as a scene setter before kicking open the door to more of Scott’s smoky sax.

He again hits the gas and then some with the high octane and appropriately titled ‘Ignite’ and although ‘Step’ has all the attributes of being a dance floor filler in the making the Smooth Jazz Therapy top track is the sublime ‘Affection’.

Take a listen, right here, right now.

 

‘Elevation’ is out now on Trippin n Rhythm and is well worth checking out.

Andrey Chmut - Soulmate

Brand new for the summer is the up-tempo sunshine filled ‘Soulmate’ from sax-man Andrey Chmut.  With all ten tracks written and arranged by Chmut, it builds on the impact this talented player made with his 2018 Skytown Records debut ‘Smoothability’ which included the tune ‘Moving Forward’ that featured the timeless Bob James on electric piano.  Quickly becoming a staple on Sirius XM Watercolors it was also one of the station’s favorite songs of 2019.

The high octane ‘Soulmate’ opens exactly in the way it means to continue with the deliciously upbeat ‘Night Town’ that features superb interplay between Chmut on alto sax and Alex Logvinenko on keys.  It establishes an intensity that permeates the entire collection and this is also apparent with ‘Dance With Me’ that not only finds Chmut bringing it home with his driving yet melodic playing on soprano sax but also Gennadii Bondar making a contribution on guitar that is reminiscent of Peter White at his best.

Paul Hardcastle - Hardcastle IX

Just short of two years since the release on Trippin N Rhythm of Paul Hardcastle’s ‘Hardcastle 8’ comes the logically titled ‘Hardcastle IX’.

All things considered ‘Hardcastle IX’ finds PH in decidedly chilled mode and none more so than with the distinctly ethereal ‘Welcome To The Morning’.  Several tracks later he sends out another welcome, in fact ‘Welcome To The Beach’, that is as light and airy as the title suggests it might be.  It possesses the usual Hardcastle elements of smoky sax and seductive rhythm while elsewhere the moody ‘Outside My Window’ possesses a tension that just builds and builds.

U-Nam - Each Day A Gift EP

Innovator par excellence U-Nam has done it again.  He is releasing an EP built around the track ‘Each Day A Gift’, that originated both in instrumental and vocal form on his hot new CD ‘U-Nam Goes Big Band’.  In addition to these original two versions the EP also includes the associated radio edits plus a brand new smooth funk remix featuring vocals from Tim ‘TiO’ Owens.  With a velvety horn foundation and a mood that has a George Duke meets Earth Wind & Fire thing going on, this really is U-Nam at his very best and is all the more remarkable for the way he has re-constructed the song from its Latin tinged roots.

Reaching out as it does to both smooth jazz stations and more R & B orientated outlets this is an EP that could well be a radio programmers dream.

Euge Groove - Sing My Song

Ever since 2000, when the runaway hit single ‘Vinyl’ blasted him into the contemporary jazz spotlight, the always-excellent Euge Groove has been the real smooth jazz deal.  The song was lifted from his self titled Warner Bros debut CD and set in motion a solo career that can not only be measured by his blockbuster live shows around the world but also by a discography of eleven best selling albums which is all set to become twelve with ‘Sing My Song’ that is released today, June 26, on the Shanachie label.

Kim Waters - Shakedown

For three decades Kim Waters has reigned supreme as one of the premier exponents of contemporary jazz.  Indeed Since 1989, and the release of his debut CD ‘Sweet & Saxy’, sax-man composer and producer Waters has been a constant on the urban-jazz landscape.  With a reputation for being one of the most technically gifted players around, he has released twenty-three recordings as a leader and has just made that twenty-four with ‘Shakedown’ on the always excellent Shanachie Entertainment label.

Oli Silk - 6

With a string of choice albums to his name and a profile that makes him the United Kingdom’s favorite smooth jazz keyboard player, the superb Oli Silk is back with his sixth solo project, the appropriately titled ‘6’.  With eleven new compositions plus one carefully crafted cover this cool twelve-track collection not only finds Silk in top form but also in the company of some of the biggest names in contemporary jazz.

U-Nam Goes Big Band - The Remixes

In conjunction with Skytown Records, and with all profits going to the fight against COVID-19, jazz guitarist and Billboard chart-topper U-Nam is creating a four track ‘EP’ of remixes from his ‘U-Nam Goes Big Band’ recording.

‘U-Nam Goes Big Band’ is a sumptuous eleven track rendering of sophisticated mood jazz and since its release on March 30 has made a fabulous start in both the Jazz and Smooth Jazz Radio Charts.  This week it became most added on Jazzweek while the first single, ‘Dance’ was most added on the Billboard National Airplay chart.

A second single, ‘Each Day A Gift’ featuring vocalist Steve Brookstein is slated for imminent release while the remix project shines a dazzling spotlight on the creativity that has long been U-Nam’s calling card.

Take for example his ‘Nu-Orleans’ remix of  ‘In The Blink Of An Eye’ for which he adds a whole load of zest and guarantees to set feet tapping everywhere.  Not only that, the expansive Latin flavoured ‘Miami Remix’ of ‘The One’ is perhaps an even greater hip swayer than the album original while another track with a decidedly Latin disposition is the wonderful ‘The World To Me’ that U-Nam embellishes with his own special brand of ‘Electro Swing’.

The extended player’s only vocal number is the appropriately named ‘From Estonia With Love’ remix of the vibrant ‘The Dance Must Go On’ which would fit perfectly on any James Bond soundtrack.  Mixing elements of hip-hop and R & B with a distinctly Cab Calloway vibe, U-Nam also makes full use of wah wah trumpet from Christian Martinez to build an inspirational platform for Susanna Eleksandra’s smoky vocals.  Make no mistake, and picking up on the James Bond theme, this is a track that will leave the listener both shaken and stirred.

There are only a few established artists capable of taking a genre busting U-turn to reinvent themselves with a project such as ‘U-Nam Goes Big Band’.  U-Nam is certainly one of them.

U-Nam - U-Nam Goes Big Band

There are only a few established artists who are capable of reinventing themselves and jazz guitarist and Billboard chart-topper U-Nam is certainly one of them.  As if to prove it he will release the genre busting ‘U-Nam Goes Big Band’, March 27, 2020, on the Skytown Records label.

Coming off the back of a scintillating 2019 that saw him enjoy huge chart success with his sensational ‘Future Love Parts 1 and 2’ (that reached #20 on the Top 25 Billboard Jazz Best Selling Album chart and #8 in the Contemporary Jazz category) this is an exciting new direction for U-Nam to take but, with nine top 30 Billboard hits already to his name and an approach recognised as always innovative and often daring, his reputation for shaking the musical world to its core is already firmly in place.

‘U-Nam Goes Big Band’, a sumptuous eleven track rendering of sophisticated mood jazz, is made even more enticing by the amazing back-story that first put it on U-Nam’s radar.  A phone call to his Los Angeles studio from Estonian producer Mikk Targo is all it took.  Targo, CEO and Founder of the Estonian Author Society EAU had, for the past several years, been working with a panel of music industry experts to select from what was generally regarded as the best one hundred songs Estonia has ever produced.  As they did so a body of work emerged that was not only a glimpse into the nation’s musical heritage but also an outstanding showcase for the renowned Lutz Krajenski Big Band.

Under The Lake - Your Horizons Too

Contemporary jazz collective Under The Lake is the brainchild of multi-instrumentalist Jayson Tipp and after a stop start, evolving line-up, kind of existence the band is back with ‘Your Horizon Too’ that will be released April 3 on the Mind In Overdrive label.

For Under The Lake it all got started in San Diego with the 1993 debut recording ‘Dive In’ and ‘Up For Air’ that followed three years later.  A ten-year hiatus, during which Tipp took time out to raise a family, ensued before the critically acclaimed ‘People Together’ hit the streets.  At the time I described it as being an amalgam of upbeat, joyful melodies and grooving hooks yet when Tipp returned to the studio in 2018 with ‘Jazz Groove & Attitude’ he did so with completely different personnel.

For ‘Your Horizon Too’ Tipp has reconnected with long time collaborators Richard Sellers on drums and Nathan Brown on bass while adding ‘new boy’ guitarist Patrick Yandall to the mix.  Steeped in the laid back musical confines of San Diego, Yandall is a player that has rhythm and melody pumping through every vein of his body and completing the quartet is another Smooth Jazz Therapy favorite, sax man Quintin Gerard W.

Chris Standring - Real Life

Arguably England’s most successful smooth jazz export, Chris Standring has, with a succession of attention grabbing releases, carved out a unique place in the annals of contemporary jazz. Often soulful, always compelling and disposed from time to time to weave orchestral tapestries into his guitar driven melodies he is a performer who never disappoints.  Consequently it should be no surprise that ‘Real Life’, even at this early stage, seems destined to become one of the best recordings of 2020.

Vincent Ingala - Echoes Of The Heart

When, back in 2018, I reviewed ‘Personal Touch’ by writer, producer and multi instrumentalist Vincent Ingala I described him as being the breath of fresh air that smooth jazz fans had long been craving.  Now, with a street date of February 21, he is back with the excellent ‘Echoes Of The Heart’.  This ten-track tour de force includes nine original compositions plus one carefully crafted cover and with guest performances from David Benoit and Steve Oliver is the sort of project that will continue Ingala’s fast track progress toward the upper echelons of the genre.

Konstantin Klashtorni - 7 x 7

Konstantin Klashtorni has done more than most in extending the global reach of smooth jazz.  Originally from the Ukraine and now domiciled in Germany this fine multi instrumentalist has been building an extensive discography for the last sixteen years and is all set to add to it with the February 14 release of the superb ‘7 x 7’.  The date is significant in that it coincides with Klashtorni’s 49^thbirthday, a milestone that he has used to bestow the album with its title.

‘7 x 7’ isa sumptuous eleven track collection of gentle rhythms and compelling melodies that draws on all Klashtorni’s experiences as solo artist, master of chill and king of cool.

Ronnie Smith - Raise The Roof

The fact guitarist Ronny Smith grew up listening to Wes Montgomery, Joe Pass, and George Benson does much to explain the tight melodic style that categorizes his playing. It is a style that he began to develop while still in junior high school and the time he subsequently spent performing, first with various bands at University then later in the armed forces, expanded both his musical and geographic horizons.  More importantly it led him to a career as a sought after backing musician. Collaborations with artists as diverse as the Marvellettes, Melba Moore and jazz drummer Bobby Durham all added to Smith’s reputation while as a solo artist he has been steadily building a significant body of work.   This commenced in 2001 with ‘Long Time Comin’ and continued with ‘Laid Back’, ‘Got Groove’, ‘Simply Stated’, ‘Just Groovin’ and his highly acclaimed 2013 project ‘Can’t Stop Now’.  ‘Shake It Up’ followed four years later and now, signed to the highly rated Skytown Records label; he is about to expand his discography yet further with ‘Raise The Roof’ that will be released January 27, 2020.

Brian Simpson & Steve Oliver - Unified

Due out January 17 ‘Unified’ is the brand new album from Brian Simpson and Steve Oliver who have combined to create what was originally envisaged as being built around an electronic music concept but which over time has evolved into contemporary jazz project that nevertheless retains elements of electronica.

Also including contributions from ‘go to’ bass player Alex Al, drummer Eric Valentine and percussionist extraordinaire Ramon Yslas this is a CD that heralds in the latest in a long line of exciting smooth jazz pairings and one that could well be around for some time to come.

Bob James & Kirk Whalum - Joined At The Hip

The career of contemporary jazz pianist and keyboard player Bob James has been enriched by the part he played in some of the genre’s finest collaborations.  Among them have been projects with Earl Klugh, Boney James, David Sanborn and, perhaps most notably, the 1996 recording, ‘Joined At The Hip’, with saxophonist Kirk Whalum.

Although ultimately ‘Joined At The Hip’ did not triumph at that year’s Grammies, it did peak at number ten on the Billboard jazz albums chart and is widely regarded has having been an under-appreciated gem in the respective discographies of these two fine players.  But now, for all those who missed ‘Joined At The Hip’ the first time around, it has been remastered and reissued on the Evosound label.

1996 was a golden year in a golden decade of smooth jazz and then, as now, Bob James and Kirk Whalum were two of its brightest stars.   Released on the Warner Bros label and boasting a veritable bevy of backing musicians that included Jeff Golub, Chris Walker and Billy Kilson, ‘Joined At The Hip’ was a fine blend of original material and carefully crafted covers such as Maria Muldaur's 'Midnight At The Oasis' and Donny Hathaway's 'The Ghetto.'

Also, with track lengths never shorter than five minutes and sometimes in excess of ten, this was a collection unfettered by commercial considerations that refused to be shoe horned into conventional radio formats.  The result was a recording for the contemporary jazz purist with a relevance as strong today as when it was first released.

U-Nam - Future Love Parts 1 & 2

Now for some real Christmas cheer.  Much of the smooth jazz buzz for 2019 has been all about U-Nam and the release of his stunning project ‘Future Love’.

Little did he know when he recorded this chart buster that he was in fact unleashing a tsunami of music characterized by infectious grooves and unbridled depth.  Which tracks to leave out and which to allow in became a real dilemma and this depth became apparent when to celebrate the release of a very special Japanese edition of ‘Future Love’, Skytown Records made the previously unreleased  ‘Soul Walkin’, available as a bonus track.

It triggered U-Nam to revisit a whole raft of songs, unrecorded and hidden away in his extensive archives.  The result was ‘The Love Vault – Future Love Part 2‘ and now, for the very first time, both ‘Part 1’ and ‘Part 2’ are available together, two albums combined into one.

Not only that, this amalgamation includes a rare, exclusive and previously unreleased bonus track ‘Love’ written, produced and featuring the late Guitar Legend Wah Wah Watson.

‘Future Love Parts 1 &2’ is available now from all digital stores and, for the first time, is streaming, exclusively on Apple Music. 

 

Special EFX - All Stars

Due out February 14, 2020, ‘All Stars’ is the latest release from sophisticated super group Special EFX. Despite the frequent changes in personnel that have characterised the band’s evolution, the creative constant of Chilli Minucci remains front back and centre.  In fact Minucci co-founded Special EFX thirty-five years ago with the now deceased George Jinda and here, for the band’s twenty- first CD, he writes thirteen of the fourteen choice tunes with the only exception being the Jimi Hendrix number‘Little Wing’ for which soulful vocalistMaysa Leak knocks it out of the park.

With his New York City-based band members Jay Rowe on keys, Jerry Brooks on bass and Joel Rosenblatton drums at its core Minucci brings the title of the album to life by enlisting the help of a star studied ensemble of guest performers.

Violinist Regina Carter, sax-man Nelson Rangell, trumpeter Lin Rountree, multi-horn player David Mann, Spyro Gyra drummer Lionel Cordew, highly regarded bass player Gerald Veasley and keyboard player Lao Tizer are all involved from time to time as is fretless bassist and vocalist Fernando Saunders whose history with Special EFX dates back to the early days.