Ranging from the sounds of gospel, neo soul, R&B, soft rock and contemporary jazz, guitarist Paul Whitley really has it covered. His aptly named album ‘Versatility’ bears witness to this and then some as with fifteen all original and substantially self-penned tracks he serves notice that here is a musical force to be reckoned with.
‘Versatility’ is quickly up and running with the jazz orientated title cut where a splash of horns from Jerry Oates adds hugely to what proves to be a complex yet compelling creation. A change in style ushers in ‘Monte Carlo’, which despite the Mediterranean promise that its title suggests, fizzes throughout with a zesty Latin vibe. Eric Brice on lead guitar truly cuts loose on this one and if you are looking for funky then Whitley does that too. A case in point is ‘Groovin’ Time’ where Shan Richardson on sax totally hits the spot and when Richardson returns for the soul charged ‘More Of You’ his contribution is once more significant.
Elsewhere the neo soul vocal of Trina Houston certainly sets the smoky ‘Material Things’ apart. With Whitley looming large on both bass and lead rhythm guitar, this is a tune that perfectly demonstrates his considerable artistry and although the deliciously tranquil ‘Worship’ allows him to revisit his gospel roots, when he reprises the number in ‘new school’ style, the injection of a distinctly street-wise beat elevates this slow burner to another level.
‘I Adore You More’ is a fine slice of accessible smooth jazz with a bite while the hugely rhythmic ‘Let’s Ride’ (with Whitley making an interesting contribution on vocoder) builds from a relaxed urban groove to something altogether more enthralling.
In terms of personal favorites there is an abundance of riches from which to choose. Contenders include both the horn enriched ‘You’re So Good’ that Whitley uses to conjure up some dazzling old school magic and the equally appealing ‘Midnight Breeze’. It’s a mellow charmer that features excellent sax from Adrian Crutchfield and more tremendous input from Eric Brice on on lead guitar.
‘You Are The One’ is a stunning example of superb urban jazz that is afforded an extra dimension by earthy vocals from Bianche Johnson. Later, when vocal duties pass to Montrell Calhoun for the easy grooving ‘So Incredible’ Whitley’s contribution on keys is, unsurprisingly, outstanding.
However, all things considered, the Smooth Jazz Therapy top track can be none other than the wonderfully relaxed ‘Lost Without You’. With Crutchfield again superb on sax, great backing vocals from Eric Weston and Crystal Little plus Whitley at his consistent best on guitar and keys, this is a song that will play and play.