October 30, 2011. At the Cinnamon Club, in the southern suburbs of Manchester, it was the first night of Peter White’s now customary UK autumn tour. Scheduled to play fourteen shows at six different venues he was instantly at ease in the familiar surroundings of this intimate space yet, for the excellent band that supported him, this was far from being business as usual. Yes, Marc Parnell was there on drums and everyone’s favourite bass-player Frank Felix took his usual place but new to many was outstanding keyboardist Attila Molnar and, alongside him, the rapidly emerging sax-man Elan Trotman. Remarkably, this newly formed collective had rehearsed for the first time only hours before but the enthusiasts who packed this northern outpost of contemporary jazz could have been excused for thinking they had been together for years.
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The 1974 album ‘Sun Goddess’ did much to define the career of the legendary Ramsey Lewis. It was his flirtation with the funk and R & B of the seventies which recently he rekindled with the Sun Goddess live tour. Now Lewis has re-recorded five tracks from the original disc, added five more, and with the help of his Electric Band packaged them into the excellent collection ‘Taking Another Look’.
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Kim Waters has long been regarded as one of the most technically gifted players on the circuit and also one of the most ‘jazzy’. His latest project, ‘This Heart Of Mine’, which was released October 25 on the Shanachie label, bears witness to all this and more yet paradoxically it may also be his most soulful yet. Not only that, for this his seventeenth solo collection, Waters plays virtually every instrument, from saxophones to keyboards, guitar, drums, bass and vocals, while also writing nine of the eleven choice tracks and producing throughout.
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As well as being one of the genre’s most consistent chart-toppers, soulful saxophonist Richard Elliot has done as much as anyone to delightfully blur the margins that separate smooth jazz from funk. His 2009 release, ‘Rock Steady’, was a nod to the R&B artists of the 1970s & 80s that inspired him most and he has stayed with a similar theme for his latest effort, the sparkling ‘In The Zone’. Notable on many levels, the album finds Elliot reuniting with Jeff Lorber who, not for the first time, proves himself to be the perfect producing and songwriting partner. Together they write nine of the ten choice cuts and, with able support from the likes of Michael Thompson, Tony Maiden, Alex Al and Lenny Castro, the credits read like a veritable ‘who’s who’ of contemporary jazz.
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As the East Bay Soul 2.0 adventure picks up pace pre-preproduction rehearsals have begun. The rhythm section, together with band leader Greg Adams, is in the studio this week to learn new material and work out the grooves of the album’s first five songs. The music is really coming to life and when these five tracks are complete this same group will return to the studio to work on the final five. Recording the horns and vocals will take place right at the end of the process.
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One artist who is pushing the contemporary jazz envelope while drawing heavily on musical heroes such as Pat Metheny, the Rippingtons and Acoustic Alchemy is guitarist Reza Khan. ‘Language Of Love’, from his latest CD ‘A Simple Plan’, features the always excellent Andy Snitzer on sax and has just been serviced to radio.
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Back in 2007 I described ‘City Lights’ by sax-man Greg Chambers as an album different enough to get him noticed. It was a rarified blend of the classical with the contemporary and now he is back with another innovative (and this time self titled) offering. In fact Chambers is far from being your regulation smooth jazz musician. With a resume that includes a parallel project with his own jazz quartet and work with the Aspen Festival Orchestra he is well placed to push the musical envelope. Indeed, with six of his own compositions, plus covers of Richard Elliot’s ‘Sweet Dream’ and the Keane hit ‘Try Again’, this is exactly what he has done.
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Earlier this year I featured the single ‘Searching’ by vocalist Freddie Lee from his soon to be released CD ‘My Soul Intentions’. Enriched by backing vocals that are out of this world, this deliciously horn infused number engenders the kind of old school vibe for which real soul aficionado’s never tire and now, as if to underwrite the quality of this fine album, comes the equally impressive ‘Book Of Love’.
Produced by Tony Bean and Colin Bassett at 5am Productions this silky cut shimmers with a smooth retro soul sound and will be available from October 24th at iTunes, Amazon and www.freddieleepeterkin.com
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‘Too Hot’ by sax man supreme Tom Scott is the blistering new radio single from his latest album ‘Telling Stories’. It features a wonderful vocal duet by Paulette McWilliams and Will Downing but, what is less known, a different version of this Kool & The Gang blockbuster appeared, twenty one years ago, on Scott’s 1990 CD ‘Them Changes’. The project was in fact a collaborative effort between Scott and his fellow house band members who played together on a short lived television talk show hosted by ‘Wheel Of Fortune’ stalwart Pat Sajak. Each of those involved went on to enjoy successful careers as session players while one of them, a certain Dave Koz, became a superstar in his own right.
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October 1, 2011. It was just another day in Southern California. The setting of the Winery at twilight was magical; the champagne flowed like rivers and that ultimate showman, Brian Culbertson, beckoned in the final month of the Thornton Winery 2011 Champagne Jazz Series in Temecula CA with a performance of the highest order. It has been quite a year for Culbertson whose 2010 CD ‘Xll’ proved to be an outstanding success and here he delved into it generously while recalling some old favorites along the way. In all of this he was helped in no small measure by Eddie Miller on vocals and additional keyboards, Gerey Johnson on guitar, bass-player Nathaniel Kearney, Jr., drummer Chris Miskel, Jim Culbertson on trumpet and Marqueal Jordan with both sax and vocals. Collectively they showed themselves to be what is arguably the best touring band around and right from the opening bars of the ultra catchy ‘Back In The Day’, the scene was set for a energy packed evening. As the hits kept coming, first with ‘Go’ and then with the dazzling ‘Always Remember’ it was clear that Culbertson was up, running and in blistering form.
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