Described as a “throwback collection that puts a contemporary spin on vintage jazz funk” the latest album from keyboard player Patrick Cooper is the appropriately titled ‘The Way It Used To Be’. Indeed although achieving his goal of capturing the sound and spirit of music produced decades ago, Cooper has also used the project to show off his considerable skills as a performer, composer and producer. With a little help along the way from sax player Phillip ‘Doc’ Martin, bass-man Martin Dyson and vocalist Nehemiah Booker he has delivered a quality body of work that effortlessly builds a bridge between the present and what has gone before.
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Although released late in 2010 the current CD from saxophonist Dee Lucas is certainly worthy of comment. Titled ‘Standing Room Only’ it follows on from his 2007 project ‘Something To Ride 2’ which at the time I described as being a superb example of cutting edge urban jazz and entirely in keeping with the smoky direction in which the genre is currently moving. Here, with production input from Phil Davis and Lee Hurst, he picks up right where ‘Something To Ride 2’ left off and in the process delivers a body of work as fresh as anything I have heard this year.
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Italian contemporary jazz outfit Westbound is actually the exquisite pairing of Cristian Rocco and Enrico Catena. Their latest project is the predominately mellow ‘Gone For A Walk’ which finds Rocco providing eleven all new compositions to complement his fine work on guitars and keys. Catena is his usual tight self on drums and percussion yet the album also affords a platform for stellar performances by some great guest artists. One such collaborator is the superb Roberto Vally who has played extensively with Paul Brown and is the bass player of choice for Bobby Caldwell. He is featured on five of the twelve choice tracks and for one of them is joined by smooth jazz superstar Rick Braun. Recorded in Italy, the result is an excellent addition to this year’s crop of new music and an end to the myth that great smooth jazz is the exclusive province of the USA.
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May 13, 2011. It had been ten years since Brian Culbertson last appeared in the north west of England but when he arrived at the Cinnamon Club, Altrincham, for a show typified by the huge energy that he brings to everything he does, he blew the doors off with a performance that flashed by in what can accurately be described as a joyous and frenetic blur. Indeed, with Marc Parnell on drums, Otto Williams playing bass, Jim Culbertson on trumpet, additional keys in the capable hands of Mark Whitmore and the outstanding Derek Nash on sax, Culbertson rifled his considerable discography for a succession of outstanding tunes that will live long in the memory.
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A lifetime in music and participation in a series of rock and country rock bands seems an unlikely route to contemporary jazz but this is the journey that pianist Dave Edwards has taken to release his debut solo album ‘Elusive Dreams’. Indeed, from his base in Dallas, TX Edwards has conjured up a fine collection of his own compositions and in so doing emerged as a writer and performer who deserves to be heard.
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It was in 1997 that the seminal CD ‘Manhattan To Staten’ hit the streets and positioned the excellent Down To The Bone firmly on the jazz funk map. In the intervening years, and with sax man Shilts at its centre, the band delivered a series of high octane albums but now (with Shilts away to pursue his solo career) DTTB are entering a new phase of what by any measure continues to be an interesting career. Recently signed to Trippin N Rhythm, the band’s latest offering is ‘The Main Ingredients’ which, if the first single is anything to go by, very much puts them back to their ‘Manhattan To Staten’ best. Titled ‘Music Is The Key’, this edgy cut says everything about what DTTB is all about.
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Based in New Haven CT, the band Airborne has been around since the eighties and its latest album, ‘Back In The Dayz’, takes a look back at some of their best songs over that period. In fact Airborne has been on the Smooth Jazz Therapy radar screen since 2004 and the release of the CD ‘Heavy Vibes’. At the time I described them as re-igniting old school jazz fusion in a way that is part 5th Dimension and part Ambrosia with just a hint of Tower Of Power added for good measure.
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