Sometimes, as if out of nowhere, a CD comes along that both surprises and delights. ‘Smooth Urban Night’ by Northern California based guitarist Travis Vega is such a recording. With a title that sums up to perfection the mellow and sensual groove that permeates much of the album, this independently produced release, for which Vega writes and produces throughout, is, in its entirety, a chilled out delight.
Despite being only twenty six years of age his playing style has been variously compared to George Benson, Wes Montgomery, Norman Brown and Peter White. This is high praise indeed yet with the laid back ‘Nite Flow’ its Whites distinctive style that comes immediately to mind. Smooth jazz with a mellow twist is what Vega is about and, as tracks such as the sumptuous ‘Autumn Breeze’, ‘Hear Me Say’ and the turned down ‘Good Feelin’ all drift by in a delicious haze, it becomes clear that ‘Smooth Urban Night’ is more than merely a title. It is a concept. That said the title of the track from which the album takes its name was selected from a poll of listeners suggestions. It’s another song totally in tune with the overall mood of the collection and in this respect is in the excellent company of ‘Its All Good’ which delivers all the rhythm and melody you will ever need.
Whenever Vega chooses to up the tempo the change is exhilarating. ‘Latin Knights’ finds his cool guitar blending with mariachi style backing, ‘Summer Nights’ is both engaging and jazzy whilst ‘Save It For Later’ dovetails Vega’s own innovative production with forceful keyboards to deliver an attractive and energetic foot stomper.
However, in the final analysis ‘Smooth Urban Night’ is built upon its unmistakable cool groove. ‘Pacific Wind’ is another choice example, ‘Vega Motion’ is totally radio ready and another cut for which the airwaves beckon is ‘Like It Like That’. With lusciously synthesized orchestral backing and more of Vega’s great guitar this is a tune glistens like a precious stone.
‘Smooth Urban Night’ is Vega’s third release and comes in the wake of his 2004 debut ‘Through The Valley’ and its follow up ‘Just Let It Flow’. Overall it is a timely reminder that, beyond the major labels, there is a veritable battalion of self produced performers who offer contemporary jazz something that is both fresh and compelling.
For more information go to www.travisvega.com
