Since keyboard player Terry Disley first caught the attention of Smooth Jazz Therapy he has delivered a succession of totally compelling, utterly original CD releases that have added considerably to the overall landscape of contemporary jazz. London born and San Francisco based he is now very much part of the bay area music scene yet perhaps is best known for his time with Acoustic Alchemy with whom, from time to time, he still guests. His latest release, ‘London Underground’ is everything one would expect from someone never afraid to push the jazz envelope and with eleven great tracks that are as good as they are varied the term ‘something for everyone’ has never been more apt.
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When in 2005 Milwaukee’s own Gary Davis released the CD ‘Playing My Dues’ it somehow, inexplicably, slipped the Smooth Jazz Therapy net. However, three years on, it is tremendous to find that this heady amalgam of jazz, blues and soul is entirely relevant to the direction in which urban jazz is now moving. The six original compositions that Davis provides fit wonderfully with three exceptional covers but the real value is in the combination that they together provide. This, in every respect, is a ‘complete album’ and it is evident from the first note of the bluesy yet rhythmic opening (title) track that Davis is all about contemporary jazz with an edge.
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Guitarist Jim Adkins is one of the smoothest players around. His credits as a composer include the tune ‘Wind Dancing’ for which he claimed second prize in the 1999 Billboard Song Contest yet the fact that this song went on to be included on MP3s ‘103 of the Best Songs You've Never Heard’ speaks volumes. Indeed, although his music is as accessible as any around today he remains something of a buried treasure and for Smooth Jazz Therapy his brand new album ‘City Streets’ has been a wonderful discovery. It is the latest in a sequence of CD releases that started back in 1998 with the appropriately titled ‘Just Chillin’ and continued with the 2001 ‘Turning Point’. ‘License To Play’ followed in 2004. Now with ‘City Streets’ he is back with nine original compositions and one choice cover that can only serve to enhance his kudos as a purveyor of ‘in the pocket’ smooth jazz.
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July 12, 2008 and the appearance of pianist Lao Tizer at Anthology in San Diego gave Smooth Jazz Therapy its first chance to check out this up market dinner and music venue. Boasting big screen projection and superb acoustics it proved to be the perfect setting for Tizer who was joined on stage by Chieli Minucci and the wonderful contemporary jazz violinist Karen Briggs.
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In the main, artists tend to be products of the music that shape them. Certainly this belief is reinforced by the current proliferation of new releases that can be loosely classed as ‘tributes’. However, although Gerald Albright (with his homage to the music of Stax) and Brian Culbertson (who is single handedly ‘bringing back the funk’) are both rekindling the influences of their formative years, Simply Red front man Mick Hucknall has chosen to tread a different route. His ‘Tribute To Bobby’ doffs a cap to R & B pioneer Bobby Bland who first sprang to musical prominence in the latter part of the fifties, before in fact Hucknall was born. Consequently his is a story of discovery made possible in part by the rare grooves of the sort typically showcased in the clubs of North West England around the time that Hucknall was starting out as a performer. It’s likely that it was in such a setting that he first heard Bland’s 1957 breakthrough hit ‘Farther Down The Road’ which is the first track from ‘Tribute To Bobby’ to be selected for radio play and, despite its hard driving bluesy feel, is finding favor on smooth jazz radio across the USA.
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It could be argued that one of the places from which smooth jazz draws its inspiration is the abundant catalogue of soul music from the sixties and seventies. This being the case there is sure to be major interest from lovers of contemporary jazz in the new five-volume (10 CD) collector’s set now available from the magazine Time Life. The set, which is not available in stores and can be purchased at www.timelife.com, features songs by The Temptations, The Supremes, Stevie Wonder, The Jackson 5, Four Tops, Martha & The Vandella's, Smokey Robinson and The Miracles, Mary Wells, Marvin Gaye, and many more. As an added bonus, a DVD of 12 performances by some of Motown’s favorite artists is also included.
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In its various forms the ‘tribute’ album seems very much the flavor of this musical year. Gerald Albright, Brian Culbertson and Mick Hucknall have already weighed in with their own individual takes on the concept and on August 19 Jason Miles is set to join them is. ‘2 Grover With Love’ is the second installment of Miles’ special homage to Grover Washington Jr that began in 2000 with ‘To Grover With Love’. It sold over 100, 000 copies, was re-released by ARTizen in July of 2006 and marked out Jason Miles as a true innovator in his field. This latest effort was recorded live at Bennett Studios in New Jersey after only one day of rehearsal and features such contemporary jazz glitterati as Chuck Loeb, Gerald Veasley, Ralph Macdonald, Najee, Kim Waters, Jay Beckenstein, Andy Snitzer and Maysa (who delivers a spine tingling rendition of the Washington classic ‘Mr. Magic’.
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